Episode 6 - Realization Time
FADE IN:

INT. LOG LADY’S CABIN - DAY

Seated at a dining table beside a tea set we see a woman, ‘LOG LADY’ MARGARET LANTERMEN. In her arms she carries a wooden log. She is speaking to us.

LOG LADY

FADE OUT:




INTRO:




FADE IN:

MUSIC: TWIN PEAKS THEME  
CREDITS run with the scenes of a bird in a tree, the mill machinery at work, the road into town with the welcome sign, the hotel by the falls and the river.

MUSIC ENDS: TWIN PEAKS THEME  
FADE OUT:




FADE IN:

EXT. GREAT NORTHERN HOTEL - NIGHT


INSERT: HALF MOON

We FOCUS on a CLOSE-UP of the half moon glowing in the night sky.


BACK TO SCENE:

An establish shot. We view the lights of the hotel perched on the cliff near falls. The falls ROAR with the sound of cascading water.




CUT TO:

INT. DALE COOPER’S HOTEL ROOM - NIGHT

FBI SPECIAL AGENT DALE COOPER sits at the corner of his bed as he speaks somberly and gently to AUDREY HORNE, who is undressed and in his bed under the sheets.

COOPER

MUSIC: TWIN PEAKS THEME  
AUDREY is teary eyed.

AUDREY

COOPER takes a deep breath as he ponders what to say.

COOPER

COOPER takes another deep breath.

COOPER

AUDREY

COOPER

AUDREY wipes tears from her eyes. COOPER reaches into his pocket and pulls out a handkerchief for her.

AUDREY

COOPER nods yes. AUDREY brightens with a smile. COOPER returns with a smile.

COOPER

AUDREY

COOPER

COOPER stands up.

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY

COOPER

AUDREY watches COOPER leave the room. COOPER closes the door behind himself. AUDREY breathes a sigh of relief.

MUSIC ENDS: TWIN PEAKS THEME  



CUT TO:

EXT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

An establish shot. We view the front of building with SHERIFF TRUMAN’S police cruiser parked in the parking lot. Another police cruiser pulls into the station parking lot.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

DEPUTY ANDY BRENNAN slowly enters the building. ANDY peers to the reception window before he passes the second set of glass double doors, clears his throat and walks toward the reception window. LUCY MORAN, in the reception office, greets ANDY but tries not to look at him.

LUCY

ANDY

LUCY

The phone beside LUCY RINGS and, as a distraction, she quickly answers it.

LUCY

LUCY puts her hand over the receiver and stares at ANDY. ANDY walks off. LUCY returns to the phone.

LUCY

LUCY hangs up the phone.

COOPER enters the building through the front doors, blowing his whittled WHISTLE.

COOPER

Depressed, LUCY doesn’t look up at COOPER as she answers.

LUCY

COOPER notices but doesn’t get involved. Politely, COOPEr simply nods.

COOPER

COOPER walks to the conference room.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - DAY

In the conference room, SHERIFF HARRY S. TRUMAN stands beside the table opposite a bird cage. DR. WILL HAYWARD stands at the end of the table bent over an encyclopedia. Near the table hanging from a stand is a bird cage with WALDO, the mynah bird, from JACQUES RENAULT’S cabin. AGENT COOPER walks into the room and stands near the window and the bird cage.

DR. HAYWARD

SHERIFF TRUMAN

SHERIFF TRUMAN walks to the bird cage.

SHERIFF TRUMAN

DR. HAYWARD

DR. HAYWARD picks up a grape.

DR. HAYWARD

DR. HAYWARD moves to feed the grape to WALDO but sees COOPER staring at the bird.

DR. HAYWARD

COOPER

SHERIFF TRUMAN

DR. HAYWARD

COOPER

DR. HAYWARD

DR. HAYWARD sourly looks at the grape and then turns to SHERIFF TRUMAN.

DR. HAYWARD

SHERIFF TRUMAN

DR. HAYWARD

DEPUTY TOMMY ‘THE HAWK’ HILL enters the room carrying a file.

HAWK

HAWK hands the file to COOPER, who looks it over. COOPER moves over to SHERIFF TRUMAN.

COOPER

COOPER looks at the back of a large photograph. The photograph is marked with a stamp as evidence. COOPER flips the photograph over to look at the image.

COOPER

COOPER hands the photo to SHERIFF TRUMAN. SHERIFF TRUMAN scans the photograph and smiles.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN gives a puzzled look and looks at the photograph again.


SHERIFF TRUMAN’S POV:

Through SHERIFF TRUMAN’S POV we view a CLOSE-UP of the photograph. The picture is of WALDO perched on the shoulder of a WOMAN with blonde hair.


BACK TO SCENE:

Unsure which end is up, SHERIFF TRUMAN turns the photograph around as he continues to look it over.

COOPER

COOPER stacks some books under the bird cage. COOPER then pulls his mini tape recorder out of his pocket and shows it to SHERIFF TRUMAN.

COOPER

With a CLICK, COOPER turns the mini recorder on.

COOPER

MUSIC: FRESHLY SQUEEZED (0:26 - 3:48) (SLOW VARIANT)  
COOPER places his mini tape recorder on the stack of books right below the bird cage. COOPER picks up a file from the folder and hands it to SHERIFF TRUMAN. Paper clipped to the file is a plastic bag containing the notched poker chip.

COOPER

SHERIFF TRUMAN

HAWK

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN understands and smiles.

MUSIC ENDS: FRESHLY SQUEEZED (0:26 - 3:48) (SLOW VARIANT)  


CUT TO:

EXT. JOHNSON HOUSE - DAY

An establish shot. In the woods a short away distance from the house, BOBBY BRIGGS drives up and parks his car. BOBBY gets out of his car and heads toward the house.


DISTANT POV:

MUSIC: DARK TIMES???

Through binocular sights from someone’s distant POV, BOBBY walks up to the house.


BACK TO SCENE:

In the woods a distance away from the house and from the open door of the passenger side of his truck, LEO JOHNSON watches BOBBY through a pair of binoculars. A radio in the truck is on and is tuned to the police band.

DEPUTY (OFF SCREEN)

LEO’S POV:

Through the binocular sights of LEO’S POV, BOBBY walks up to the front door of the house.

BOBBY

SHELLY JOHNSON opens the door. SHELLY and BOBBY embrace.


BACK TO SCENE:

Sitting in his truck, LEO puts the binoculars away.

LEO

LEO reaches for his rifle. LEO pulls his rifle out and aims it toward the house. Using his damaged arm to hold up the long end of the rifle, LEO peers through the rifle’s telescoping sight.


LEO’S POV:

Through LEO’S POV, BOBBY and SHELLY just barely walk inside the house.


BACK TO SCENE:

LEO

MUSIC ENDS: DARK TIMES???




CUT TO:

INT. JOHNSON HOUSE - DAY

SHELLY, wearing a robe, moves to the kitchen. BOBBY follows SHELLY into the kitchen.

SHELLY

BOBBY

SHELLY uncontrollably starts to cry in fear.

SHELLY

BOBBY

SHELLY

BOBBY stands in front and close to SHELLY.

BOBBY

BOBBY cradles his hands around SHELLY’S neck and head.

SHELLY

SHELLY becomes even more upset.

SHELLY

BOBBY

MUSIC: DARK TIMES???

BOBBY

SHELLY kisses BOBBY. SHELLY rests her head on BOBBY’S chest. BOBBY cradles SHELLY’S head and gives an intense glare as he thinks.




CUT TO:

EXT. JOHNSON HOUSE - DAY

LEO sits in his truck with his rifle pointed at the house. LEO listens to the police band radio as he waits for BOBBY or SHELLY to exit. Over the police band on the radio, LUCY can be heard.

LUCY (OFF SCREEN)

Shocked, LEO looks at his radio.

LUCY (OFF SCREEN)

LEO remembers the bird and immediately reacts. LEO puts his rifle away, closes the door, walks to the other side of the truck, enters and drives off.

MUSIC ENDS: DARK TIMES???




CUT TO:

INT. HAYWARD HOUSE - DAY

We FOCUS on a piano and a black vase. A CLICK from a depressed button is heard followed by the voice of LAURA PALMER from an audio tape. We PAN RIGHT to the dining room table where DONNA HAYWARD and MADELEINE FERGUSON are seated. On the table is a tape player. JAMES HURLEY paces the floor beside the table as he listens.

MUSIC: LAURA PALMER’S THEME  
LAURA (FROM TAPE)

MUSIC ENDS: LAURA PALMER’S THEME  
JAMES stops the tape. MADELEINE picks up an empty cassette case from a shoe box beside her.

MADELEINE

MADELEINE hands the empty case to JAMES. JAMES reads the label on the empty case.

JAMES

JAMES hands the empty case back to MADELEINE. DONNA looks in the shoe box for an unboxed tape cassette.

DONNA

JAMES

MADELEINE

JAMES

DONNA

JAMES

MADELEINE

JAMES

DONNA

JAMES

JAMES rewinds the tape and then pushes the play button. Again we hear LAURA’S voice from the tape player.

LAURA

MUSIC: LAURA PALMER’S THEME  
LAURA

MUSIC ENDS: LAURA PALMER’S THEME  



CUT TO:

EXT. HORNE’S DEPARTMENT STORE - DAY

MUSIC: FRESHLY SQUEEZED (0:26- 3:48)

An establish shot. We view the exterior of the store.




CUT TO:

INT. HORNE’S DEPARTMENT STORE - DAY

Standing behind the perfume counter, AUDREY handles a CUSTOMER.

AUDREY

AUDREY hands the CUSTOMER a bottle of perfume to smell.

CUSTOMER

AUDREY

CUSTOMER

MR. EMORY BATTIS, the store vice-president, walks up to the perfume counter and talks to JENNY, a salesgirl working with AUDREY. AUDREY searches for another fragrance for the CUSTOMER but, standing near JENNY, is more interested in listening in on JENNY’S and BATTIS’S discussion.

EMORY

JENNY

EMORY walks off.

CUSTOMER

AUDREY

CUSTOMER

The CUSTOMER walks away.

AUDREY

AUDREY walks over to JENNY.

AUDREY

JENNY

AUDREY walks off.




CUT TO:

INT. HORNE’S DEPARTMENT STORE - DAY

Outside EMORY’S office, AUDREY tries to sneak inside the empty office but a STOCK BOY is moving boxes on a shelf nearby. In her mischievous way, AUDREY leans against the shelves and tells a lie to rid the STOCK BOY.

AUDREY

The STOCK BOY silently heads out to take a look. AUDREY grins and enters EMORY’S office.




CUT TO:

INT. EMORY’S OFFICE - DAY

AUDREY opens a cigarette case, helps herself to one of EMORY’S cigarettes and lights it up. AUDREY opens one of EMORY’S desk drawers but hears EMORY in the hall and calmly moves to a closet, steps inside and closes the door. The closet door has a window shutter-like screen made of thin horizontal wood slats allowing AUDREY to see into the office.

EMORY

AUDREY’S POV:

Through AUDREY’S POV from the closet, EMORY and JENNY enter the office.

EMORY

JENNY

MUSIC ENDS: FRESHLY SQUEEZED (0:26- 3:48)

EMORY

EMORY hands JENNY a small present. JENNY unwraps the present, opens the box and removes the wrapping tissue to reveal a small glass unicorn.

EMORY

JENNY

EMORY

JENNY

EMORY

JENNY

EMORY

JENNY

MUSIC: FRESHLY SQUEEZED (0:26- 3:48)

EMORY

BACK TO SCENE:

In the closet, AUDREY smiles to herself at hearing EMORY’S definition of the job.


AUDREY’S POV:

JENNY

EMORY

EMORY hands JENNY a business card.

EMORY

JENNY

EMORY escorts JENNY out of the office.


BACK TO SCENE:

AUDREY drops her cigarette to the floor, puts it out by stepping on it, exits the closet and walks over to EMORY’S desk. AUDREY picks up a small black book laying on top of the desk. AUDREY opens the book and flips through the pages. The pages list several different names of women. Beside each name are hearts that rank each girl. On one page AUDREY finds the name of:

AUDREY

AUDREY puts the book back. Before she leaves, AUDREY picks up the glass unicorn that JENNY left on the desk.

MUSIC: FRESHLY SQUEEZED (0:26- 3:48)




CUT TO:

EXT. DOUBLE R DINER - DAY

An establish shot. We view the front of diner as a timber truck rig pass by with a full load of cut logs.




CUT TO:

INT. DOUBLE R DINER - DAY

MUSIC: COUNTRY #4

NORMA JENNINGS steps halfway past the door from the kitchen. NORMA stops as she sees her husband HANK JENNINGS, holding a pot of coffee, talking to SHELLY. A country tune plays on the jukebox.

HANK

SHELLY hands a customer their order of a cherry pie.

SHELLY

HANK

NORMA steps back into the kitchen.

SHELLY

SHELLY pats HANK’S arm.

SHELLY

HANK

SHELLY fetches a cup of coffee for a customer.

SHELLY

HANK

SHELLY

HANK

SHELLY

HANK

The COOK rings the service bell and SHELLY moves off to pick up the order.

HANK

HANK looks down at the counter where he sees a lighter someone had left behind their plate of food. With his shifty eyes, HANK glances around, casually moves his hand, picks up the lighter and puts it in his back pocket. HANK then moves the dirty plates to a bin.

At the front door, SHERIFF TRUMAN and AGENT COOPER enter the diner. SHERIFF TRUMAN spots HANK.

SHERIFF TRUMAN

HANK

HANK moves up the island counter towards SHERIFF TRUMAN.

HANK

SHERIFF TRUMAN

HANK

HANK jokingly puts up both of his hands.

HANK

SHERIFF TRUMAN

SHELLY watches and listens to SHERIFF TRUMAN.

SHERIFF TRUMAN

MUSIC ENDS: COUNTRY #4

HANK

HANK stares at SHERIFF TRUMAN and then walks away.

SHERIFF TRUMAN

SHELLY walks up to them.

SHELLY

COOPER smiles brightly.

COOPER

SHERIFF TRUMAN

SHELLY moves to the coffee dispenser. COOPER and SHERIFF TRUMAN are still standing by the counter as they talk.

COOPER

SHELLY places two cups of coffee on the counter near them.

COOPER

COOPER gestures to the cups of coffee on the counter before them.

COOPER

COOPER wears a large grin. SHERIFF TRUMAN grins back.

SHERIFF TRUMAN

COOPER nods yes. COOPER and SHERIFF TRUMAN both move to the counter and take a seat where their coffee has been placed. COOPER grabs his cup and takes a sip. SHERIFF TRUMAN watches COOPER.

COOPER

SHERIFF TRUMAN grins at COOPER’S reaction. SHERIFF TRUMAN hasn’t touched his cup yet. COOPER slides it over to him.

COOPER

MUSIC: FRESHLY SQUEEZED (0:26 - 3:48)




CUT TO:

INT. HORNE’S DEPARTMENT STORE - DAY

AUDREY stands behind the perfume counter as JENNY, carrying a bag with the dress she just received, prepares to leave for the day.

JENNY

AUDREY

JENNY

AUDREY

JENNY

AUDREY

JENNY

AUDREY

AUDREY shows JENNY the small glass unicorn she had swiped earlier.

JENNY

AUDREY LAUGHS.

AUDREY

JENNY

AUDREY

A little unsure, JENNY pauses before she retrieves the card.

JENNY

AUDREY

JENNY hands the card to AUDREY, who copies the number down.

AUDREY

JENNY

AUDREY

JENNY walks off. AUDREY moves to a nearby phone and immediately dials the number.

MUSIC ENDS: FRESHLY SQUEEZED (0:26 - 3:48)

FADE OUT:




FADE IN:

INT. HURLEY HOUSE - DAY

In her living room seated at the couch, NADINE HURLEY is watching the television and eating chocolate bonbons.


NADINE’S POV:

Through NADINE’S POV we view the television program ‘Invitation to Love’. CHET, a nerdy looking man wearing a white suit, is holding a gun. CHET has the gun pointed at MONTANA, a scruffy looking man wearing a black leather jacket and a bandana, who stands with his hands up in the air.

CHET

BACK TO SCENE:

NADINE

NADINE’S POV:

Through NADINE’S POV, CHET shoots MONTANA. MONTANA spins to a nearby wall. The wall supports him as he slowly slides down.


BACK TO SCENE:

‘BIG’ ED HURLEY enters the house and sees his wife, NADINE, on the couch. NADINE looks at her wrists. The television program comes to an end and its rich theme music starts up.

MUSIC: INVITATION TO LOVE  
ANNOUNCER (FROM TELEVISION)

NADINE looks up and sees BIG ED.

NADINE

NADINE offers by holding up the box of bonbons towards BIG ED.

BIG ED grabs the box and puts it on the coffee table. BIG ED takes a seat next to NADINE. NADINE is very sad and is close to tears.

BIG ED

NADINE

BIG ED

NADINE

BIG ED

NADINE

BIG ED

NADINE

BIG ED holds NADINE.

BIG ED

MUSIC ENDS: INVITATION TO LOVE  



CUT TO:

EXT. BLUE PINE LODGE - DAY

An establish shot. We view the front of house.




*** CUT TO:

INT. BLUE PINE LODGE - DAY

In the dining room, SHERIFF TRUMAN looks at a mounted fish trophy laying on the table. PETE walks up beside him.

PETE

SHERIFF TRUMAN

PETE

PETE walks away carrying his trophy. JOSIE enters and walks up to SHERIFF TRUMAN.

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE

SHERIFF TRUMAN

JOSIE

She opens her purse, pulls out some pictures and shows them to him. The pictures are of BENJAMIN HORNE and CATHERINE MARTELL entering a room together at the motel.

SHERIFF TRUMAN

JOSIE

MUSIC: LOVE THEME FROM TWIN PEAKS

JOSIE

Tears form in her eyes and run down her cheek. TRUMAN wipes away the tear on her cheek with his thumb.

SHERIFF TRUMAN

They embrace each other.

MUSIC ENDS: LOVE THEME FROM TWIN PEAKS

FADE OUT:




FADE IN:

INT. TIMBER ROOM - NIGHT

We watch AGENT COOPER enter the dining area and walk over to the bar where SHERIFF TRUMAN and BIG ED are waiting for him. COOPER is dressed in a tuxedo. BIG ED is wearing a western theme outfit. As COOPER approaches them, BIG ED and TRUMAN look his suit over.

SHERIFF TRUMAN

COOPER

BIG ED

SHERIFF TRUMAN

COOPER

BIG ED

COOPER

BIG ED

BIG ED leaves.

COOPER

COOPER and TRUMAN lean against the bar as they talk.

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

MUSIC: LOVE THEME FROM TWIN PEAKS

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

TRUMAN pats COOPER’S arm, puts his cup of coffee down and picks up his hat. The two walk away from the bar.

COOPER

MUSIC ENDS: LOVE THEME FROM TWIN PEAKS

SHERIFF TRUMAN

MUSIC: FRESHLY SQUEEZED (0:26 - 3:48)

SHERIFF TRUMAN

COOPER

SHERIFF TRUMAN

COOPER

They exit the room.

MUSIC ENDS: FRESHLY SQUEEZED (0:26 - 3:48)

AUDREY enters and looks around the room. She moves to the bar and dials the phone.

AUDREY

She hangs up the phone.




CUT TO:

INT. BLUE PINE LODGE - NIGHT

We see CATHERINE walking with MR. NEV, an insurance salesman, toward the dining room.

MR. NEV

CATHERINE

MR. NEV

CATHERINE

MR. NEV

He places his briefcase on the table and opens it.

CATHERINE

He pulls out an expanding folder from his briefcase and takes out a document.

MR. NEV

He pulls a pen from his shirt pocket, clicks out the pen tip, marks an ‘X’ by the line for her to sign by and hands her the pen.

MR. NEV

CATHERINE takes a seat as she looks over the document.

MR. NEV

CATHERINE




CUT TO:

INSURANCE DOCUMENT

MUSIC: LAURA PALMER’S THEME (DARK VERSION)

We view a CLOSEUP of document from CATHERINE POV and we see that the beneficiary of this insurance policy is JOSIE PACKARD.




CUT TO:

INT. BLUE PINE LODGE - NIGHT

CATHERINE

MR. NEV

CATHERINE

MR. NEV

CATHERINE

MR. NEV

Again he shows her where to sign on the document.

MR. NEV

CATHERINE

MR. NEV

CATHERINE

MR. NEV

CATHERINE

MR. NEV

He walks away and out.

CATHERINE




CUT TO:

INT. BLUE PINE LODGE - NIGHT

In her bedroom, CATHERINE opens the secret compartment at her desk and finds that it is empty. She lets out a slight whine at the sight of the missing doctored ledger.

MUSIC ENDS: LAURA PALMER’S THEME (DARK VERSION)




CUT TO:

INT. GREAT NORTHERN HOTEL - NIGHT

MUSIC: FRESHLY SQUEEZED (0:26 - 3:48) (SAX VARIANT)

We FOCUS on a hand that slips a note under COOPER’S hotel room door. We PAN up to see that it is AUDREY. As she straightens up she brushes her hand against his door. She walks off down the hall. As she does, she spots a new hotel guest, a thin ASIAN MAN, being helped to his room by a BELL BOY. As she passes him, the ASIAN MAN bows his head to her.

MUSIC ENDS: FRESHLY SQUEEZED (0:26 - 3:48) (SAX VARIANT)




CUT TO:

EXT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

We view the front of the station on a stormy night as rain falls and lighting flashes. A police cruiser drives by.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

In COOPER’S office, we FOCUS on a briefcase on his desk.

COOPER

BIG ED opens a briefcase laying on the table. Inside the briefcase we see several moustaches and wigs.

BIG ED

We PAN to see AGENT COOPER and HAWK. COOPER lets out an ‘ouch’ as HAWK applies tape to a microphone wire on his upper left arm.

HAWK

We ZOOM out to see them all.

COOPER

BIG ED

HAWK finishes installing COOPER microphone.

HAWK

BIG ED moves the curly wig to his head to try it on. COOPER rolls his long sleeve shirt down, lifts his wrist near to his mouth and says ...

COOPER

The speaker from the receiver duplicates what he says but ends with a very loud swoop of distortion from over amplification. COOPER grabs his wrist and all remain silent.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

In the conference room, we FOCUS on a spread of donuts laid out on the conference table. We PAN up to see WALDO, the mynah bird, in its cage. The room is empty except for flashes of lighting and the sound of booming thunder.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

We view a CLOSEUP of AGENT COOPER’S mini tape recorder as it turns on automatically to the sound of ...

WALDO




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

We view an old black and white photograph hanging on the wall of the conference room. WALDO lets out a wolf whistle and a caw. The photograph is of a man standing next to a huge cut section of a tree, nearly a tall as him, laying on its side. A gunshot rings into the room and shatters the glass on the photograph.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

In COOPER’S office, COOPER, HAWK and BIG ED look at each other after they hear the gunshot. HAWK and COOPER grab their guns and head toward the conference room.




CUT TO:

EXT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

From a distance in the pouring rain just outside the building we see a man run away carrying a rifle. The man runs to a truck and we see that it is LEO JOHNSON. He throws his rifle inside, gets in and peels out as he drives off.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

In the conference room, we FOCUS on the spread of donuts, see bits of bird feathers around them and blood dripping onto the donuts. We PAN up to see that WALDO is not longer perched in his cage, which is swinging. Blood and feathers are also scattered in the cage.




CUT TO:

INT. TWIN PEAKS SHERIFF’S DEPARTMENT - NIGHT

With their guns drawn, SHERIFF TRUMAN and AGENT COOPER meet in the hallway near the door to the conference room. They enter the conference room and lower their guns as they see what was shot, WALDO. DEPUTY HAWK, DEPUTY ANDY, BIG ED and LUCY follow behind them.

BIG ED

SHERIFF TRUMAN

ANDY

COOPER picks up his mini tape recorder that was set to automatically record on voice activation. He rewinds the tape a bit and plays it. From the tape recorder we hear ...

BIG ED

SHERIFF TRUMAN

COOPER stops the tape, rewinds it some more and hits play. We hear ...

LUCY

LUCY, standing by the window with ANDY, looks away slightly embarrassed. Again COOPER stops the tape, rewinds it and hits play. This time we hear ...

WALDO

MUSIC: LAURA PALMER’S THEME  
WALDO

COOPER and SHERIFF TRUMAN look at each other.

WALDO

MUSIC ENDS: LAURA PALMER’S THEME  
FADE OUT:




FADE IN:

EXT. ONE-EYED JACKS - NIGHT

We view a CLOSEUP of the neon sign of a jack from a deck of cards with its one eye blinking on and off.

SOUND EFFECT: BUZZING EYE  



CUT TO:

INT. ONE-EYED JACKS - NIGHT

MUSIC: COUNTRY #1  
AGENT COOPER, dressed in a tuxedo and wearing eyeglasses, and BIG ED, wearing a curly haired wig and a fake moustache, walk through the building. They pass several men who are with the establishments working women. They stop and stand in a bar room with a pool table. One of the ’52 PICK-UP girls walks by and eyes them. COOPER and BIG ED return the stare as she walks by.

COOPER

BIG ED

COOPER spots BLACKIE "THE BLACK ROSE" O’REILLY walking toward them.

COOPER

BLACKIE

COOPER

BLACKIE

COOPER

BLACKIE

BLACKIE looks BIG ED over.

BLACKIE

COOPER smiles and moves over slightly to BIG ED.

COOPER

BLACKIE grins and runs her fingers under COOPER’S lapel.

BLACKIE

COOPER

BLACKIE

BIG ED

COOPER, grinning, looks at BIG ED.

BIG ED

BLACKIE

BIG ED

BLACKIE

COOPER

BLACKIE

COOPER

BIG ED

BLACKIE

BIG ED

BLACKIE grins at BIG ED and then walks off.

COOPER

COOPER and BIG ED walk off in the direction she gestured to towards the casino. They pass two 52’ PICK-UPS laying against a railing awaiting a customer.

MUSIC ENDS: COUNTRY #1  



CUT TO:

INT. ONE-EYES JACKS - NIGHT

In a corner of the casino room, COOPER lifts is hand to his head as if to adjust his glasses but he is actually moving the microphone under his shirt sleeve closer to his mouth so he can speak clearly to ...

COOPER




CUT TO:

EXT. POLICE VAN - NIGHT

Parked in the woods near One-Eyed Jacks, we see a white van.




CUT TO:

INT. POLICE VAN - NIGHT

DEPUTY HAWK, wearing earphones, is seated beside sound recording equipment. He listens to COOPER.

COOPER




CUT TO:

INT. ONE-EYED JACKS - NIGHT

COOPER




CUT TO:

INT. PALMER HOUSE - NIGHT

In the dark, we see MADELEINE slowly and quietly walk down the stairs. She is wearing her large rimmed glasses and LAURA’S thick, warm clothing. Her dark hair is tied back and she is carrying a paper bag. The only sound in the house is a grandfather clock chiming. At the bottom of the stairs she passes the living room. Our view FOCUSES on the living room as she walks on and out the front door. In the darkness of the living room we see a figure sitting on the couch.

MUSIC: LAURA PALMER’S THEME  
The figure moves into the light brought in by the window and we see that it is LELAND PALMER, who has turned his head to see who has left the house.




CUT TO:

EXT. EASTER PARK - NIGHT

Near the gazebo, we see JAMES watch a car pull up. A blonde woman exits from the passenger side and walks toward JAMES with her face hidden by the shadows. JAMES stares at the woman as her features become more visible. He meets her halfway and is in awe as he sees her face. The woman looks exactly like LAURA PALMER but its MADELEINE wearing a blonde wig and LAURA’S clothes. DONNA, wearing a heavy coat and sporting a baseball cap, exits from the driver’s side and walks up to them carrying a video camera.

MUSIC ENDS: LAURA PALMER’S THEME  



CUT TO:

INT. BENJAMIN HORNE’S OFFICE - NIGHT

MUSIC: 99 BOTTLES OF BEER (ICELANDER VERSION)

JERRY, HEBA, MR. THORSON and several of the Icelander group are singing. They all swing mugs of beer in their hands as they sing. BENJAMIN is standing behind his desk with a container of ice cream in one hand and a spoon in the other. With his mouth full of ice cream, he conducts the group with his spoon.

JERRY

BEN puts the tub of ice cream down and waves them to quiet down. The group quiets down and stops singing.

MUSIC ENDS: 99 BOTTLES OF BEER (ICELANDER VERSION)

BENJAMIN

GROUP

BENJAMIN

JERRY tells them to go to the dining room in their language. He kisses HEBA, who is standing right beside him, on both cheeks.

JERRY

The Icelander group leave the room. JERRY, holding a very large pine cone in his left hand, takes a seat on BEN’S desk.

JERRY

JERRY puts the pine cone down on BEN’S desk, grabs the tub of ice cream and a spoon and starts eating.

BENJAMIN

JERRY

BENJAMIN

JERRY

BENJAMIN

JERRY

BEN moves the pine cone on his desk closer to JERRY and grabs the tub of ice cream.

BENJAMIN

BEN and JERRY are now both spooning out ice cream from the same tub.

JERRY

BEN pulls the tub of ice cream away from JERRY as he moves his spoon towards it.

BENJAMIN

JERRY

BENJAMIN

JERRY

JERRY throws his spoon in the tub of ice cream and picks up his mug of beer. As JERRY walks toward the door he trips on a step but regains his balance. He looks at BEN and laughs at himself.

JERRY

From the next room the Icelander group can be heard yelling.

GROUP

BENJAMIN takes one last spoonful of ice cream, drops his spoon in the tub and puts it aside. He picks up his phone on the desk and dials. We hear JOSIE’S voice answer the phone.

JOSIE

BENJAMIN




CUT TO:

INT. BLUE PINE LODGE - NIGHT

In the kitchen, we see JOSIE leaning with her elbows on the counter next to the phone on the wall.

MUSIC: HANK’S THEME  
JOSIE




CUT TO:

INT. BENJAMIN HORNE’S OFFICE - NIGHT

BENJAMIN




CUT TO:

INT. BLUE PINE LODGE - NIGHT

We ZOOM out and see HANK beside her leaning with his back to the counter.

JOSIE

BENJAMIN

JOSIE

BENJAMIN

JOSIE hangs up the phone. HANK turns around, waves a finger at her and takes off his black leather jacket.

MUSIC ENDS: HANK’S THEME  



CUT TO:

INT. BLACKIE’S OFFICE - NIGHT

MUSIC: COUNTRY #1  
The door to office opens and we see a blonde 52’ PICK-UP escort AUDREY, wearing a black dress, into the room. The 52’ PICK-UP closes the door and takes a position to the side of the room near the door. AUDREY walks up to BLACKIE’S desk, where BLACKIE is seated, and hands her a resumé.

MUSIC ENDS: COUNTRY #1  
BLACKIE

AUDREY

BLACKIE scans the resumé. AUDREY, standing right next to BLACKIE’S desk, begins to fidget and hum a tune. Bothered by it, BLACKIE looks up at her. AUDREY stops humming but continues to fidget.

BLACKIE

AUDREY

BLACKIE

AUDREY takes a seat in a chair positioned in front of the desk.

AUDREY

BLACKIE

AUDREY

BLACKIE

BLACKIE crumples her resumé in her hand.

BLACKIE

AUDREY stands up, moves to the desk, slowly reaches over BLACKIE’S desk and picks out a maraschino cherry, by its stem, from BLACKIE’S drink.

MUSIC: CHERRY STEM KNOT  
AUDREY lifts the cherry to her mouth, bites the cherry off and eats it while still holding onto the cherry stem. Next, she puts the cherry stem into her mouth. Her eyes roll and her lips squirm as she contorts her tongue into weaving the cherry stem into a knot. Finished, she pulls out the knotted stem and places it on the napkin the drink was on. BLACKIE interest has been piqued. She bends forward to take a closer look, sits back and pulls out a document and pen from one of her desk drawers.

MUSIC ENDS: CHERRY STEM KNOT  
BLACKIE slides the document toward AUDREY.

BLACKIE

MUSIC: LAURA PALMER’S THEME  
BLACKIE

MUSIC ENDS: LAURA PALMER’S THEME  



CUT TO:

INT. ONE-EYED JACKS - NIGHT

At a Black Jack table, we watch COOPER turn over a card revealing a king. He says ...

COOPER

The dealer, a Jamaican, collects the deck of cards. BIG ED walks next to COOPER.

COOPER

BIG ED

COOPER

BIG ED

COOPER

The current dealer leaves and another person, JACQUES RENAULT, takes his place.

BIG ED

COOPER

BIG ED looks over to the dealer and notices that it is JACQUES. He looks at COOPER and gives him the high sign, the Bookhouse Boys sign of an index finger drawn down one’s temple on the forehead. BIG ED turns and walks away. JACQUES deals out a hand. He is wearing a name tag, ‘JACQUES’.

JACQUES

COOPER

JACQUES




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

We see DR. LAWRENCE JACOBY sitting by his desk in a rocking chair. He sits with his legs crossed and is drinking a cocktail, that is decorated with fruit and a little umbrella. He is watching the television program ‘Invitation to Love’.




CUT TO:

TELEVISION

We see JADE, a woman, seated and dressed in a sweater. A hand holding a drink moves in front of her face. We hear ...

MONTANA




CUT TO:

EXT. EASTER PARK - NIGHT

At a pay phone by the gazebo, we see MADELEINE, DONNA and JAMES. JAMES places a coin into the pay phone and dials.


CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

The telephone rings. The television program ‘Invitation to Love’ can be heard in the background.

MONTANA

DR. JACOBY answers the phone.

DR. JACOBY




CUT TO:

EXT. EASTER PARK - NIGHT

JAMES hands the phone to MADELEINE




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

DR. JACOBY listens to what sounds like LAURA PALMER’S voice but its MADELEINE duplicating her voice.

MADELEINE




CUT TO:

EXT. EASTER PARK - NIGHT

MADELEINE




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

DR. JACOBY




CUT TO:

EXT. EASTER PARK - NIGHT

MADELEINE




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

DR. JACOBY

MADELEINE




CUT TO:

EXT. EASTER PARK - NIGHT

MADELEINE




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

MADELEINE

DR. JACOBY opens a drawer at his desk.

MADELEINE

He reaches into the drawer and pulls out a revolver. He puts the phone receiver down on his desk, gets out of his chair and walks to the door. DR. JACOBY opens the door and scans the hallway with his gun ready. He looks down and sees a large manila envelope beside the door. He picks it up, scans the envelope for any identifying marks, opens it, pulls out a video cassette and scans it for any identifying marks. DR. JACOBY walks back inside and to his video player. He puts the tape in, picks up the remote and returns to his seat.

MUSIC: LOVE THEME FROM TWIN PEAKS




CUT TO:

TELEVISION

The tape plays and we see LAURA PALMER, actually MADELEINE dressed as her, holding the day’s newspaper.




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

DR. JACOBY picks up the telephone.

MADELEINE




CUT TO:

EXT. EASTER PARK - NIGHT

MADELEINE

DR. JACOBY

MADELEINE hangs up the phone.

JAMES

MADELEINE nods yes and in her own lower voice says ...

MADELEINE

DONNA

MUSIC ENDS: LOVE THEME FROM TWIN PEAKS




CUT TO:

EXT. EASTER PARK - NIGHT

MUSIC: THE BOOKHOUSE BOYS (1:12 - 2:11)

We see BOBBY poke his head out of a bush that he is using for cover as he watches JAMES and DONNA leave on the motorcycle while MADELEINE stands by the pay phone.

MUSIC ENDS: THE BOOKHOUSE BOYS (1:12 - 2:11)




CUT TO:

EXT. EASTER PARK - NIGHT

SOUND EFFECT: MUSICAL SHRIEK  
MUSIC: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)

From a different POV but from someone’s POV roughly in the trees, we see BOBBY crouched behind a bush watching JAMES and DONNA leave on the motorcycle while MADELEINE stands by the phone. A heavy breathing can be heard.

MUSIC ENDS: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)




CUT TO:

MUSIC: THE BOOKHOUSE BOYS (1:12 - 2:11)

BOBBY’S eyes widen as he sees MADELEINE look astonishingly just like LAURA PALMER. JAMES’S motorcycle can be heard driving off into the distance.

MUSIC ENDS: THE BOOKHOUSE BOYS (1:12 - 2:11)




CUT TO:

SOUND EFFECT: MUSICAL SHRIEK  
MUSIC: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)BR>
Again from an unknown person’s POV roughly in the trees, we see BOBBY crouched behind a bush staring at MADELEINE. A heavy breathing can be heard. We watch BOBBY walk off and leave the area.

MUSIC ENDS: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)




CUT TO:

INT. DR. JACOBY’S OFFICE - NIGHT

MUSIC: LOVE THEME FROM TWIN PEAKS

DR. JACOBY replays the tape. He moves from his chair to the ground, closer to his television set, in an attempt to view the paper LAURA/MADELEINE is holding in her hands. He pauses the tape where he sees a gazebo beside her in the background.

DR. JACOBY




CUT TO:

EXT. OFFICE BUILDING - NIGHT

Outside the building, we see DR. JACOBY rush down the stairs from the second floor. His car is parked within a fenced in parking area.

MUSIC ENDS: LOVE THEME FROM TWIN PEAKS

MUSIC: FRESHLY SQUEEZED (0:26 - 3:48) (VARIANT)

Outside the fenced area, we PAN to see JAMES and DONNA hiding behind some garbage cans. They watch DR. JACOBY get into his car, start it up and quickly drive off, peeling out in the process.

With DR. JACOBY gone, JAMES and DONNA get up from behind the trash cans and rush up the stairs into office building. With JAMES and DONNA gone, BOBBY walks out from behind a corner of the building and sneaks over to JAMES’S motorcycle which is parked by the trash cans. He bends down to remove a plastic bag of cocaine from his sock. He unscrews the gas tank cap, stuffs the rolled up plastic bag of cocaine into the tank and replaces the gas cap. He taps the gas tank with his hand and says ...

BOBBY

MUSIC ENDS: FRESHLY SQUEEZED (0:26 - 3:48) (VARIANT)




CUT TO:

EXT. EASTER PARK - NIGHT

SOUND EFFECT: MUSICAL SHRIEK  
MUSIC: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)

From someone’s POV in the trees, we see MADELEINE standing alone by a pay phone. Heavy breathing can be heard.

MUSIC ENDS: NIGHT LIFE IN TWIN PEAKS (0:30 - 0:45)

FADE OUT:




CLOSE:




FADE IN:

MUSIC: LAURA PALMER’S THEME  
We view LAURA PALMER’S homecoming picture as the end credits roll.

MUSIC ENDS: LAURA PALMER’S THEME  

FADE TO BLACK: